Latitude 53 Contemporary Visual Culture

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Edmonton visual artists fight back

On Friday, Gig City published a preview of our two upcoming shows by Emanuel Licha and Nicole Rayburn, as well as an artist talk this Thursday at the Art Gallery of Alberta featuring local artist Dara Humniski in conversation with curator Catherine Crowston. We weren’t quite sure what to make of it. Aside from the headline, “Edmonton visual artists debut shows at Latitude 53, AGA” which gives rather the wrong impression of our two shows (Nicole Rayburn used to live here but is now based in Toronto, and Emanuel Licha hails from Montreal and works in France and internationally), the article mostly focuses on random sentences pulled from our press release, and presumably that of the AGA to try to make a point about how artists are bad at writing.

Well, while we were a bit puzzled, Dara Humniski was writing a response:

Well Ann, this is the second time you’ve taken a swipe at my credibility, so I feel inclined to comment. First by implying that a commission I received by putting forth an application to an open-call & juried selection committee had something to do with my partner (commissioned later for a different project by a different branch of the gallery), and now this causal implication that the meaning of my work is vapid or superficial.

Fluffy? Spacious? Thanks for continuing with the subtle jabs to emerging artists. I’m not sure what your agenda is with the visual art ‘coverage’ your supplying to gigcity. Shrugging your shoulders saying, “Welp! I don’t get it, Artists are pretty superficial aren’t they?” seems like a sloppy attempt at provocation to increase hits on your site, rather than thoughtful criticism or an interest in seeding a dialogue.

She goes on to talk more about her work and the role of ambiguity in her art—and to take author Ann Smart to task for her writing. You can find her full comment below the article.

Also not mentioned in the article: the time of Dara’s talk. It takes place Thursday at 6pm at the Art Gallery of Alberta, and admission is free.

Emergency call for artist assistant

Our friends over at Edmonton Arts Council’s public art office are looking for some last-minute help:

Please help!

We are in a last minute bind for one of our public art projects! An artist has designed a pattern to be painted on the interior acoustic panels for the newly renovated Hardisty Pool (opening late February/March), and we need the help of a craftsman to do a bit of work for us. Someone with basic production skills and an eye for detail.

Part A will be one full day of work transcribing stencils from a digital file to paper, here at the EAC offices.
Part B will be the assistance in applying/marking/taping the stencils. Part B will take approximately 3 hours / day, same start time during the day each day, for approx. 8 days (or roughly the last two weeks of January). This operation will take place in a industrial facility near the mill creek area, steel toed boots are required. Other safety gear will be provided (as well as all materials, tools,etc).

This work will be paid with a flat daily rate. If you’re interested or know anyone who may be, please contact me as soon as possible.

Thank you!

Dara Humniski
Public Art Program Officer
edmonton arts council
dhumniski@edmontonarts.ca p: 780.424.2787 ext.236
f: 780-425-7620

Portrait of a Political Climate: What Faces do we Need?

This post is written by Latitude 53’s Writer In Residence, Carolyn Jervis. She will be writing critically about Latitude 53 programming, the community and more on a regular basis over a six month term. Read more about the Writer In Residence program.

Dinner with my parents on Monday night definitely positioned the lentil salad as a side dish to stories about all the art museums they visited during their recent trip to Europe. When I chimed in to compare experiences with museums  in Montreal last week and D.C. last summer, I began to distill some ideas I was grappling with about political culture and arts culture. These disconnected thoughts had been floating around in a relative state of chaos through my brain in the past week or so, like an allergen-filled snowstorm of poplar fuzz, in my efforts to contextualize Latitude’s upcoming show.

When the issue of The National Portrait Gallery: Will they or Won’t they? started circulating through the media again a couple years ago, I was enchanted by a particular story on CBC radio one morning. It was about a few artists that set up a national portrait gallery in their Ottawa garage. I’m excited by acts like this and the upcoming Fish Griskowsky-curated show that opens on Friday. As you probably have already noticed if you’ve been a regular reader of my posts is I have a lot of love for unofficial culture, art-based activism, and artistic acts of resistance. But the fact that there is something to resist, something to reject, something we desire to change, means that we must also look towards what we are pushing against. The outside is, in some way, constituted by the inside, and vise versa. So I’m going to take this installment of  words to grapple with ideas of official and unofficial culture and what they can tell us about political ideology in Canada.

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Latitude 53 Video Podcast

Kristy Trinier and Dara Humniski talk about their involvement in the National Portrait Gallery, including their work and their aesthetic goals. The opens this Friday at 7:00 PM. (Watch or download from Vimeosee our previous video with Fish Griwkowsky)