Here’s a little post on the Sled Island experience and public art from our Programs Assistant, Kelta Coomber.

Gopher Envy: Reflections on Sled Island, Public Art and Calgary by Kelta Coomber

I just came back from the Sled Island Festival in Calgary. I’d never really seen the city in all its glory before; I’d just known about the mountains, the cowboy hats and all that Western goodness. But I was really struck by the city this time, and not only because it’s chock-full of lovely people, but because it’s full of public art. The city was covered in community murals, statues, public installations, and even some pink gophers in the Opera Plaza. Cool stuff.

What was most interesting, however, was not just the sheer number of works, but the kind of works that were installed in the first place. Most of Calgary’s public art pieces had a great sense of humour. They were wacky, but thought-provoking, and I appreciated the balance they achieved.

As we drove home, Weird Al blasting on the speakers, I thought: what does Edmonton need in terms of public art and where do these works need to go? I’m a firm believer that more so-called “everyday” people need to be engaged in conversations about the aesthetics of their own environments. Public art, by definition, is entrenched in the public sphere and needs the feedback, criticism and support of the community in which it is housed.

So here’s the thing. What does Edmonton need in terms of public art, and where should these works go?

If you have any projects I can help with, tell me and I’ll meet you at the dark alley of your choice to make it happen. I’ll be there.

My idea? Kitten mobiles. Think about it.