So how do we know what we know about war? That’s a central question raised by Montreal- and Paris-based artist Emanuel Licha in his two-part exhibition “Striking a Pose” at Latitude 53 in Edmonton and PAVED Arts in Saskatoon. The exhibition (which is curated by Marie-Hélène Leblanc and will also show at Musée régional de Rimouski later this year) takes a wide-ranging look at the way conflict is staged and the effect of this blurring of fact and fiction—not only on official reports and histories, but also on collective memory.

Today Byrne McLaughlin of Canadian Art takes a look at Striking a Pose.